338 videos, grouped by what they're for; newest first in each group. Every title is its own shareable link.
Pieces we have played or are definitely planning to play at the monthly ATX Classical Jams sight-reading night.
Rameau Suite (string quartet, three movements: Danse du Grand Calumet · Air tendre · Gavottes) final
I.
Held Lightly (string quartet with harmonics)
Held Lightly — string quartet in D with harmonics, for Classical Jams ATX (2026-10-24).
Rameau: Les Boréades, Entrée de Polymnie (string quartet, in progress) final
Version 41: all bowings removed at Graham's request (slurs, up/down bow marks, portato); ties kept.
One Step Apart (soprano + string quartet; voice played by clarinet)
One Step Apart — a song for soprano and string quartet (Claude for Graham Paasch, 2026-10-18; G major, about five minutes).
Greensleeves (duet) final
Haul Her Home final
La Folia di Mezzanotte final
Gavotte en Rondeau final
Who Lets Go First final
Northbound final
Play-alongs for daily practice: the Viola Gauntlet week, Kreutzer, orchestra parts.
Paul Dukas, L'apprenti sorcier (The Sorcerer's Apprentice) - the viola part for the CTMO children's concert, Nov 21 2026.
Paul Dukas, L'apprenti sorcier (The Sorcerer's Apprentice) - the viola part for the CTMO children's concert, Nov 21 2026.
Paul Dukas, L'apprenti sorcier (The Sorcerer's Apprentice) - the viola part for the CTMO children's concert, Nov 21 2026.
Dukas, The Sorcerer's Apprentice - CTMO viola part: practice loop, [17]-[23], bars 197-262: the 3/8 scherzo lines, at 75% tempo (from the 75% play-along).
Dukas, The Sorcerer's Apprentice - CTMO viola part: practice loop, [45]-[48], bars 699-760: high-register accents and the "En animant" melody, at 75% tempo (from the…
Dukas, The Sorcerer's Apprentice - CTMO viola part: practice loop, bars 761-800: "Toujours plus animé" double stops and tremolos, [49], A tempo arpeggios, at 75%…
Sergei Prokofiev, Peter and the Wolf - the viola part for the CTMO children's concert, Nov 21 2026.
Sergei Prokofiev, Peter and the Wolf - the viola part for the CTMO children's concert, Nov 21 2026.
Sergei Prokofiev, Peter and the Wolf - the viola part for the CTMO children's concert, Nov 21 2026.
Prokofiev, Peter and the Wolf - CTMO viola part: practice loop, "Look out!" - Allegro ma non troppo, rehearsal 13, at 75% tempo (from the 75% play-along).
Prokofiev, Peter and the Wolf - CTMO viola part: practice loop, the bird teases the wolf - Vivo, rehearsals 30-32, at 75% tempo (from the 75% play-along).
Prokofiev, Peter and the Wolf - CTMO viola part: practice loop, the wolf is caught - sul ponticello and pizzicato chords, rehearsals 35-37, at 75% tempo (from the 75%…
Prokofiev, Peter and the Wolf - CTMO viola part: practice loop, end of the procession and the final accelerando, rehearsals 51-54, at 75% tempo (from the 75% play-along).
Offenbach, Orpheus in the Underworld overture - the Allegro (can-can), viola part for the CTMO children's concert, Nov 21 2026.
Offenbach, Orpheus in the Underworld overture - the Allegro (can-can), viola part for the CTMO children's concert, Nov 21 2026.
Offenbach, Orpheus in the Underworld overture - the Allegro (can-can), viola part for the CTMO children's concert, Nov 21 2026.
Max Bruch, Romanze in F for viola and orchestra, Op.
Max Bruch, Romanze in F for viola and orchestra, Op.
Max Bruch, Romanze in F for viola and orchestra, Op.
Max Bruch, Romanze in F for viola and orchestra, Op.
Viola Gauntlet, Day 1 (Monday): Scales & arpeggios - key of C major / C melodic minor.
Viola Gauntlet, Day 2 (Tuesday): Shifting - key of D major.
Viola Gauntlet, Day 3 (Wednesday): Double stops - key of G major (cadences also in D).
Viola Gauntlet, Day 4 (Thursday): Bowing - key of F major.
Viola Gauntlet, Day 5 (Friday): Vibrato & tone - key of E-flat major.
Viola Gauntlet, Day 6 (Saturday): Etude day (Kreutzer style) - key of A major / E major / F# minor.
Viola Gauntlet, Day 7 (Sunday): Lyrical playing & repertoire - key of B flat major / G minor.
Kreutzer etude, viola edition by Consolini, No.
Kreutzer etude, viola edition by Consolini, No.
Kreutzer etude, viola edition by Consolini, No.
Finished score videos of original pieces that aren't Jams pieces.
The same video with a quiet metronome click throughout (one per quarter, the downbeat higher, in the 5/4, 3/2, 6/4 and 4/2 bars too), following the performance tempo.
Where The Roof Lifts final
Second version (2026-11-07): the same E-Phrygian hymn tune and section A's harmony (the E minor to F major slide, F against F sharp, suspensions over the bar line)…
Common Ground, practice copy: the same scroll video with a quiet metronome click all the way through (one per quarter, the downbeat higher), following the performance…
Common Ground (2026-11-07): string quartet on Graham's chord (cello open D, viola A on the G string, second violin D on the A string, first violin G on the E string),…
Open Question (string quartet on one chord) final
Open Question — string quartet on one chord, for Graham Paasch's Classical Jams ATX.
Can't Look Away: an original song (4:00), made after Graham said Benny Benassi's "Satisfaction" has good bass, a weird drill sound he likes, and is impossible to…
Sit With Me (string quartet in D, a lament in the major, after Rameau's Tristes apprêts; v2)
Sit With Me: a string quartet in D major for ATX Classical Jams, written for Graham Paasch, 2026-11-02.
The Light Stays (string quartet in G, a lament in the major, after Rameau's Tristes apprêts)
The Light Stays — string quartet in G, a lament in the major, after Rameau's Tristes apprêts (Castor et Pollux).
Chinese Retatrutide Overdose (string quartet; v2: the possession) final
String quartet for Classical Jams ATX, v2 2026-10-30, rewritten from Graham's verdict on v1 (a lion chase; it must be a possession).
The World Is Breathing: an original song (5:00), made after Graham said Télépopmusik's "Breathe" feels "like God is breathing".
Slow Tide: an original downtempo / trip-hop song (4:55, 94 bpm, D minor), written for falling asleep to.
The Engine at Sea (string quartet)
The Engine at Sea — string quartet in D minor (Cadence, for Graham, 2026-10-17).
It's Sloppy But (string quartet, concert version)
Graham's solo-piano blues improv 'It's Sloppy But' as a concert string quartet (2026-10-17).
It's Sloppy But (exact transcription, string quartet)
Graham's solo-piano blues improv 'It's Sloppy But', transcribed note for note from the recording (2026-10-17) and dealt out to a string quartet by register — not an…
It's Sloppy But (string quartet, after Graham's piano blues)
Graham's solo-piano blues improv 'It's Sloppy But', set for string quartet (2026-10-17).
Window Seat final
Window Seat v2 — string quartet in A minor, q=126, 152 bars, about 4:51 (rebuilt 2026-10-11 afternoon around the tune Graham picked: long floating arcs, a sixth leap…
Lie Still final
This is the MRI Graham had on the morning of 8 October 2026: the Year-1 research scan of the BD2 (Breakthrough Discoveries for Thriving with Bipolar Disorder)…
26 Days Sextet final
The Breakfast Taco final
Watched Room final
Public-domain works arranged for new ensembles (the Every Ensemble / score channel line).
Rameau: Castor et Pollux, Tristes apprêts (string quartet) final
Jean-Philippe Rameau, Castor et Pollux (1737), Act I sc.
Rameau: Les Indes galantes, Danse du grand calumet de la Paix / Les Sauvages (string quartet) final
Jean-Philippe Rameau, Les Indes galantes (1735), 4e entrée Les Sauvages: Danse du grand calumet de la Paix (the Rondeau des Sauvages), set for string quartet in G…
Rameau: Les Boréades, Gavottes pour les Heures et les Zéphyrs (string quartet) final
Jean-Philippe Rameau, Les Boréades (1763), Act IV: Gavottes pour les Heures et les Zéphyrs, arranged for string quartet in D (Rameau's key).
Rameau: Zoroastre, Air tendre en rondeau (string quartet) final
Jean-Philippe Rameau, Zoroastre (1749), Act I sc.
Rameau: Platée, Essayons du brillant / Aux langueurs d'Apollon (string quartet)
Jean-Philippe Rameau, Platée (1745), Act II sc.
Rameau: Hippolyte et Aricie, Temple sacré, séjour tranquille (string quartet)
Jean-Philippe Rameau, Hippolyte et Aricie (1733), Act I sc.
Rameau: Zoroastre, Ouverture (string quartet)
Jean-Philippe Rameau, Zoroastre (1749): Ouverture, string quartet in Rameau's keys.
Rameau: Platée, Orage (string quartet)
Jean-Philippe Rameau, Platée (1745), Act I: Orage, string quartet at Rameau's pitch.
Rameau: Les Indes galantes, Orage (string quartet)
Jean-Philippe Rameau, Les Indes galantes (1735), Les Fleurs sc.
Rameau: Les Indes galantes, Chaconne (string quartet)
Jean-Philippe Rameau, Les Indes galantes (1735), Les Sauvages sc.
Rameau: Les Indes galantes, Air pour les esclaves africains (string quartet)
Jean-Philippe Rameau, Les Indes galantes (1735), Le Turc genereux sc.
Rameau: Naïs, Premier et Deuxième Rigaudon (string quartet)
Jean-Philippe Rameau, Nais (1749): Premier et Deuxieme Rigaudon (A major / A minor, Rameau's keys), string quartet.
Rameau: Les Boréades, Première et Deuxième Contredanse en rondeau (string quartet)
Jean-Philippe Rameau, Les Boreades (1763), Act I: Premiere et Deuxieme Contredanse en rondeau (C minor / C major, Rameau's keys), string quartet.
Rameau: Les Fêtes d'Hébé, Musette et Tambourin en rondeau (string quartet)
Jean-Philippe Rameau, Les Fetes d'Hebe (1739), 3e entree sc.
Rameau: Zoroastre, Gavotte en rondeau (string quartet)
Jean-Philippe Rameau, Zoroastre (1749), Act III sc.
Purcell: Abdelazer, Rondeau (string quartet)
Henry Purcell, Abdelazer, or The Moor's Revenge (1695), Z.570, No.
Rameau: Les Boréades, Contredanse très vive (string quartet)
Jean-Philippe Rameau, Les Boréades (1763): Contredanse très vive (the opera's final number, end of Act V), arranged for string quartet in D (Rameau's key).
Mozart K. 310 Andante (viola) final
Mozart K. 310 Andante (quartet) final
Satie, Gymnopédie No. 1 final
AI Fairytales: all 240 Grimm tales in canonical order, plus the early bake-off films.
The Brothers Grimm's "Fitcher's Bird" — KHM 46, forty-sixth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Thumbling as Journeyman" — KHM 45, forty-fifth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Godfather Death" — KHM 44, forty-fourth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Frau Trude" — KHM 43, forty-third of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Godfather" — KHM 42, forty-second of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Herr Korbes" — KHM 41, forty-first of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Robber Bridegroom" (Der Räuberbräutigam) — KHM 40, fortieth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Elves" (Die Wichtelmänner) — KHM 39, thirty-ninth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Wedding of Mrs.
The Brothers Grimm's "Thumbling" (Daumesdick) — KHM 37, thirty-seventh of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Wishing-Table, the Gold-Ass, and the Cudgel in the Sack" (Tischchendeckdich, Goldesel und Knüppel aus dem Sack) — KHM 36, thirty-sixth of a…
The Brothers Grimm's "The Tailor in Heaven" (Der Schneider im Himmel) — KHM 35, thirty-fifth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Clever Elsie" (Die kluge Else) — KHM 34, thirty-fourth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Three Languages" (Die drei Sprachen) — KHM 33, thirty-third of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Clever Hans" (Der gescheite Hans) — KHM 32, thirty-second of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Girl Without Hands" (Das Mädchen ohne Hände) — KHM 31, thirty-first of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Louse and the Flea" (Läuschen und Flöhchen) — KHM 30, thirtieth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Devil with the Three Golden Hairs" (Der Teufel mit den drei goldenen Haaren) — KHM 29, twenty-ninth of a project to film all 240 Grimm…
The Brothers Grimm's "The Singing Bone" (Der singende Knochen) — KHM 28, twenty-eighth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Bremen Town-Musicians" (Die Bremer Stadtmusikanten) — KHM 27, twenty-seventh of a project to film all 240 Grimm tales, one by one, in…
The Brothers Grimm's "Little Red-Cap" (Rotkäppchen) — KHM 26, twenty-sixth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Seven Ravens" (Die sieben Raben) — KHM 25, twenty-fifth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Mother Holle" (Frau Holle) — KHM 24, twenty-fourth of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "The Mouse, the Bird, and the Sausage" (Von dem Mäuschen, Vögelchen und der Bratwurst) — KHM 23, twenty-third of a project to film all 240 Grimm…
The Brothers Grimm's "The Riddle" (Das Rätsel) — KHM 22, twenty-second of a project to film all 240 Grimm tales, one by one, in canonical order.
The Brothers Grimm's "Cinderella" (Aschenputtel) — KHM 21, twenty-first of a project to film all 240 Grimm tales, one by one, in canonical order.
Frog King final
The Bremen Town Musicians final
The Star-Money final
FilmForge nature and horror films, and art films set to our music.
Pastoral River final
Nature Orchestral final
Animated explainers: big ideas in math and science, with the math computed for real.
A 9-minute explainer on Yang–Mills theory and QCD: why a theory that predicts the proton's mass still had no mathematical proof that it exists, what "exists" means…
An 8-minute explainer on the Kakeya needle problem and Fourier restriction: disk, triangle and deltoid areas, Besicovitch/Perron trees shrinking the area, dimension…
An 8.5-minute plain-language explainer of the October 26, 2026 claims by OpenAI and Anthropic that their AI models refuted the Exponential Time Hypothesis: counting…
An 8-minute plain-language explainer of OpenAI's September 2026 Navier-Stokes claim: what the equations describe, why stretching swirls could make speed blow up (with…
Ep3 SRv6 uSID: real captures from the lab decoded byte by byte.
A 2-minute cartoon for Episode 3.
A 7.5-minute animated tour of the Riemann zeta function: primes, Euler's product, the complex plane, the zeros on the critical line, how the zeros rebuild the prime…
Evidence-ranked lessons on what most improves an adult life, one skill per episode, each with a thing to do this week.
Life Skills, Episode 9: Asking (series finale).
Life Skills, Episode 8: Food.
Life Skills, Episode 7: Reading risk numbers.
Life Skills, Episode 6: Talking with the people closest to you.
Life Skills, Episode 5: Money.
Life Skills 04 Do First Feel Later
Life Skills, Episode 4: Do first, feel later.
Life Skills, Episode 3: Sleep.
Life Skills, Episode 2: Move.
Life Skills, Episode 1: Other people.
Follow-along sessions: the amped, standing V-taper series with music (start with Episode 1 v2), plus the earlier in-bed hip session.
V-taper, Episode 1 (v2): amped, standing follow-along, 15 min.
Hips, in bed: Session 1.
Rough drafts and pieces that never became a final. Older drafts of finished pieces live under their final instead.
AI weather forecast for Lagos, Nigeria, Fri 23 Oct 2026.
The Wrong-Note March (scherzo duet) final
The Wrong-Note March, v2 — a scherzo for violin and viola (G major, 4/4, quarter = 112; about two and a half minutes, 61 bars; the full score fits on one page).
The Song Becomes a Dance (klezmer duet)
The Song Becomes a Dance — a klezmer duet for violin and viola (A freygish, slow 4/4 song at quarter = 63, then a 2/4 dance accelerating from 104 to about 154; about…
Vivaldi, "Spring" (La Primavera, The Four Seasons), first movement — arranged for violin and viola (D major, 4/4, quarter = 96, about four minutes).
Bach, Air on the G String (duet)
Air (J.
Barton Springs Hoedown (fiddle duet)
Barton Springs Hoedown — a fiddle tune for violin and viola (D major, 4/4, quarter = 116, about four and three-quarter minutes).
Lantern — a slow dance for violin and viola (D minor sarabande, 3/4, about four and a half minutes).
Across the Water — duet for violin and viola (D minor, 4/4, about four and three-quarter minutes).
Open Strings — duet for violin and viola (2026-10-13), option 1 of three after Same Air; closest to Graham's own solo viola piece Returned.
Play-arounds, proofs of concept, pipeline probes.
Snow scene tests final
Violist final
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